Music interests me (that is exactly the word! interests. Thoroughly noncommital) as a signifier or symbol of human community. It's an artifact of culture as well as a commentary - but mostly an artifact. Most rockers couldn't tell a sociology textbook from The Lord of the Rings - especially King Crimson, who think The Lord of the Rings IS a sociology textbook, well nuts to them, they sucked anyway. I like to make music because I think it's thoroughly good fun, and it infuriates the passionate people when I tell them it's thoroughly good fun because they think it should be something great and profound, when in reality it's just some blokes making funny noises. Yet, although it is never conceptually profound, its effects can be profound. Anger, sadness, destruction, occasionally happiness - these probably aren't intrinsic to music but are auxiliary emotions. These interest me. Nobody ever wrote a good song thinking 'this is going to be a sad one', they just thought 'this sounds good' and the sadness came as a by-product of their thoroughly sordid state of existence.
There are only two musicians I have ever come close to taking seriously (and this doesn't include classical music because I hardly know enough) - Jimi Hendrix and John Coltrane. Pete Townshend wrote on Rolling Stone of Hendrix that he felt phony listening to him, and he felt that all The Who had were silly little songs compared to Hendrix's 'real music'. Coltrane nobody needs to emphasise - he was amongst all other musicians and men, a prophet and a preacher in his own inimitable language - out of him probably emanated the only true spirituality any musician has had to offer, the others being cleverly deceptive or deluded fakes. If you were to claim that music has a spiritual quality, I might be able to see it in these two. In everybody else - I highly doubt it. It's all in good fun, though, and I love it just fine.
adam
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