The improviser chases the sacred. Scales and rhythms and pitches and sounds are our tools; by the exercise of what is inherently sacred (mind) we seek to elevate the physical.
The act of performing is an affirmation of love. Music itself expresses consciousness and joy; performance expresses the desire for communion with other consciousnesses. The appreciation of music by an audience is the moment of communion with the performer, where his subjectivity transcends its logical status as an unprovable hypothesis into an experiential reality. This is love. Hence performance seeks the same status as love, in a primary acknowledgement that both performer and audience exist in joy and consciousness.
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